Saturday, February 15, 2014

Workshop Triolet


Today was an unusual day as I went to a poetry workshop held by the Southern Humanities Review:
http://southernhumanitiesreview.blogspot.com/2014/02/discovering-shr-is-this-weekend.html

It was at St. Dunston's church which was 
different than what I expected on the inside.  
It reminded me of a cabin at a mountain resort. 
It was a good program and it made me think.  I heard lots of good poetry.  Here is one of the results.

The triolet equation

I think in equations
is a power that cannot be gaged
and that often we shun.
I think in equations
of solutions to nations.
Math was taught as my language, so
I think in equations,
a power that cannot be gaged.

-Rob Jackson



Thursday, February 6, 2014

Expansion

Expansion

Spring water
guided by
extruded metal 
solidified and expanded,
cracking the seams
In the molded plastic
so that the sequenced valve
would never close.
The ungoverned flow
moves past the frozen,
holding open
the prison door
through the tubing
to exit and fly and layer,
onto leaves and fibers
bending under the weight
of curving beauty
freed from the laws of man, 
and allowed to follow
the instincts of nature.

Robert L. Jackson


Saturday, January 4, 2014

Sand

Sand

Sand is born
from protection that has failed
for the shells 
of crustaceans and mollusks,
and ground from rock
in the tumbling waves 
and swirling wind.
It is abrasive
to those not yet hardened
by the salt and and sun.
The grains traverse the world
in the soles of shoes,
the metal joints,
and folds of skin;
contaminating societies.
Rarely do we realize
that it polishes metal
to a revealing mirror finish,
and cleans and melts to silicon;
the critical substance
of modern communication.
-Robert L. Jackson 


Sunday, December 15, 2013

Renew


Renew

After weather
and the eyes of generations
the white house
reveals its rotting boards,
still withstanding
the winter winds
that pulled the cotton flowers
from their knotted fingers.
Once dressed in unbroken white
she has protected
her family
from the typeset headlines
and dying soil,
but now struggles
in pastel yellow,
blending into the horizon
of grass and grain.
We want to bring renewal,
but only the owner
can paint you.

-Robert L. Jackson III


Sunday, December 8, 2013

Each's Babylon

Each seeks a tower,
abandoned or built,
unguarded by steel
armor or blades,
to close the divine distance
and increase their view.
Some chisel new clean blocks
from the cleansed and uncovered rock,
while others use remnants,
rounded and covered in moss.
Searching amongst the trees
and city lines,
the tallest options
often are never considered
due to the effort required
to ascend their spirals
before they crumbles.
Some never stay
in one corrugated nest
after seeing the green valley
and shiny steeples beyond.
Few realize that our heads
need only the height
of our spines to achieve ease,
because earth contains 
the common elements of the sky.

-Robert L. Jackson III

Monday, October 21, 2013

Repaired (Munich - Munchen)

This was written in Germany.

Repaired (Munich)

I.  A dark sky of overcast
was painted
to replace the ceiling portraits
lost in the war.
The lost depictions
conveyed ideals of humanity
and justice,
through the characters of myth.
The cracks 
of the repaired structures
reveal no sign of weakness
below the plaster.
II. The live shells
slept below families
until the installment 
of modern architecture and amenities
required their detonation
to be removed.
The straw,
meant to absorb the waves,
rekindled a lost struggle
and the clear windows
cracked and shattered.
The air however
never stays opaque
but the music
curves 
it into a memory
of fading tiles.
III. The king,
lost in a millennia
of sand,
never dropped
the crystal cup,
leaving one lonely handle.
But to secure symmetry
a metal loop
augmented the other side
and carried
no light.

-Robert L. Jackson



Friday, September 27, 2013

September Travel

September Travel

The ghost of geography
guides me through the meadow
of tempting poppies 
and Black-eyed Susans.
She takes my hand
through the electron ether
without the taint of contact
to poison our thoughts.
How do you tighten your grip,
with no pressure
between the topography
of our hands?
I look to my feet
to check if the path is tread,
and if the destination
is recorded.
Is there a tan manuscript
rotting on a shelf
or beneath the flowing sand
that maps our love?
She guides me through the atlas,
tearing pages from their binding
and breaching the bandwidth
of the bridge we emitted across.  

-Robert L. Jackson